Hate,

“She doesn’t yet realize that love unreturned eventually transforms into a fierce tangled mess, nerves and entrails exposed like split animal innards. She doesn’t understand that sometimes the unrequited must demand reparations, that love can be a mean and spiteful process, that sometimes one loses patience with love. So, when the nerves and guts have seemingly been packed away, sewn in and cleaned up so as not to make all the innocent bystanders uncomfortable, the carrier of this love becomes heavy with a toxic lump that grows, slowly and steadily, into a fierce ball of scarred tissue.

Located two ribs below the heart, it is called hate.”

-Skinny, Ibi Kaslik

Time will never be a factor. This is how it’s going to be. Everything is starting to feel far away; a copy of a copy of a copy. The distance of everything, I can’t touch anything and nothing can touch me. Two ribs below my heart, the emotion festers and morphs, it tortures. But I don’t try to assuage it. I don’t have anything to lose anymore.

“A wise man once said you can have anything in life if you will sacrifice everything else for it. What he meant is nothing comes without a price. So before you go into battle, you better decide how much you’re willing to lose. Too often, going after what feels good means letting go of what you know is right, and letting someone in means abandoning the walls you’ve spent a lifetime building. Of course, the toughest sacrifices are the ones we don’t see coming, when we don’t have time to come up with a strategy to pick a side or to measure the potential loss. When that happens, when the battle chooses us and not the other way around, that’s when the sacrifice can turn out to be more than we can bear.”

The Perilous Gard

“I’ve never thought of you like that,” said Christopher. “How could I? If you were any other woman, I could tell you I loved you, easily enough, but not you– because you’ve always seemed to me like a part of myself, and it would be like saying I loved my own eyes or my own mind.

But have you ever thought of what it would be to have to live without your mind or your eyes, Kate? To be mad? Or blind?”"

Faces

Have I said it before? I am learning to see. Yes, I am beginning. It’s still going badly. But I intend to make the most of my time.

For example, it never occured to me before how many faces there are. There are multitudes of people, but there are many more faces, because each person has several of them. There are people who wear the same face for years; naturally it wears out, gets dirty, splits at the seams, stretches like gloves worn during a long journey. They are thrifty, uncomplicated people; they never change it, never even have it cleaned. It’s good enough, they say, and who can convince them of the contrary? Of course, since they have several faces, you might wonder what they do with the other ones. They keep them in storage. Their children will wear them. But sometimes it also happens that their dogs go out wearing them. And why not? A face is a face.

Other people change faces incredibly fast, put on one after another, and wear them out. At first, they think they have an unlimited supply, but when they are barely forty years old they come to their last one. There is, to be sure, something tragic about this. They are not accustomed to taking care of faces; their last one is worn through in a week, has holes in it, is in many places as thin as paper, and then, little by little, the lining shows through, the non-face, and they walk around with that on.

But the woman, the woman: she had completely fallen into herself, forward into her hands. It was on the corner of rue Notre-Dame-des-Champs. I began to walk quietly as soon as I saw her. When poor people are thinking, they shouldn’t be disturbed. Perhaps their idea will still occur to them.

The street was too empty; its emptiness had gotten bored and pulled my steps out from under my feet and clattered around in them, all over the street, as if they were wooden clogs. The woman sat up, frightened, she pulled out of herself, too quickly, too violently, so that her face was left in her two hands. I could see it lying there: its hollow form. It cost me an indescribable effort to stay with those two hands, not to look at what had been torn out of them. I shuddered to see a face from the inside, but I was much more afraid of that bare flayed head waiting there, faceless.

- Rainer Maria Rilke, translated by Stephen Mitchell

Sources of The Delaware

I love you he said but saying it took twenty years
so it was like listening to mountains grow.
I love you she says fifty times into a balloon
then releases the balloon into a room
whose volume she calculated to fit
the breath it would take to read
the complete works of Charlotte Bronte aloud.
Someone else pours green dust into the entryway
and puts rice paper on the floor. The door
is painted black. On the clothesline
shirttails snap above the berserk daffodils.
Hoagland says you’ve got to plunge the sword
into the charging bull. You’ve got
to sew yourself into a suit of light.
For the vacuum tube, it’s easy,
just heat the metal to incandescence
and all that dark energy becomes radiance.
A kind of hatching, syntactic and full of buzz.
No contraindications, no laws forbidding
buying gin on Sundays. No if you’re pregnant,
if you’re operating heavy machinery because
who isn’t towing the scuttled tonnage
of some self? Sometimes just rubbing
her feet is enough. Just putting out
a new cake of soap. Sure, the contents
are under pressure and everyone knows
that last step was never intended to bear
any weight but isn’t that why we’re standing there?
Ripples in her hair, I love you she hollers
over the propellers. Yellow scarf in mist.
When I planted all those daffodils,
I didn’t know I was planting them
in my own chest. Play irretrievably
with the lid closed, Satie wrote on the score.
But Hoagland says he’s sick of opening
the door each morning not on diamonds
but piles of coal, and he’s sick of being
responsible for the eons of pressure needed
and the sea is sick of being responsible
for the rain, and the river is sick of the sea.
So the people who need the river
to float waste to New Jersey
throw in antidepressants. So the river
is still sick but nervous now too,
its legs keep thrashing out involuntarily,
flooding going concerns, keeping the president
awake. So the people throw in beta-blockers
to make it sleep which it does, sort of,
dreaming it’s a snake again but this time
with fifty heads belching ammonia
which is nothing like the dreams it once had
of children splashing in the blue of its eyes.
So the president gets on the airways
with positive vectors and vows
to give every child a computer
but all this time, behind the podium,
his penis is shouting, Put me in, Coach,
I can be the river! So I love you say
the flashbulbs but then the captions
say something else. I love you says
the hammer to the nail. I love Tamescha
someone sprays across the For Sale sign.
So I tell Hoagland it’s a fucked-up ruined
world in such palatial detail, he’s stuck
for hours on the phone. Look at those crows,
they think they’re in on the joke and
they don’t love a thing. They think
they have to be that black to keep
all their radiance inside. I love you
the man says as his mother dies
so now nothing ties him to the earth,
not fistfuls of dirt, not the silly songs
he remembers singing as a child.
I love you I say meaning lend me twenty bucks.

- Dean Young

With The Quick Fire Of Refusal

“I guess that ultimately, what I’m trying to say is:

I don’t believe in lasting relationships, I don’t believe in Cloud Nine, I don’t believe in Valentine’s, and I certainly don’t believe in love.
But the one thing I do believe in is that you can prove me wrong.”